2024-09-05 –, Baltic Stage
Composable Culture (a term I use to describe the mixture that is the future of entertainment, gaming, and digital culture mixed with concepts such as AI, Web3, and Creator Economy), is having greater impact on the media we consume, on the products we build and on the experiences we engage with. Why this term and its holistic approach to popculture is important to understand in 2024? Come and have a listen.
Hi! I’m 'frota’ and currently, I’m an Insights & Trade Strategist at G2A.com, where I’m involved in tech, market, entertainment, web3 & gaming-oriented strategic research. Additionally, I’ve done video game market analytics (casual and niche gaming) with a focus on digital assets (e.g. NFTs, digital fashion, blockchain gaming). Previous positions include Game Analyst at Outlier Ventures and positions connected with data analytics translation and digital marketing.
Web 3, Digital Assets (digital economies, NFTs, in-game items etc.), internet communities (from meme creators to DAOs), and the future of gaming are the main focus of my current research. Apart from that, I’m constantly studying Composable Culture, a term I use to describe the mixture that is the future of entertainment, gaming, and digital culture mixed with concepts such as AI, Web3, and Creator Economy. Additionally, I advise startups, give lectures and appear in the media. Linkedin can give you a good gist of what my professional capabilities are.
I’m also the co-host of „Wycinki z przyszłości” , a podcast about trends & tech, the author of the first Polish newsletter on Web3 culture, called „Digital Data Glitch” and lead writer on NetspherePop, a collection of thoughts on Composable Culture.